The creator of the concept for the present, actress Madara Botmane, has chosen the work “White Spouse” by the author Vizma Belševica as a horror story from the 1979 assortment “Misfortune at Residence” (from the identical one, which additionally consists of the story “Its Uninteresting for Pauline”). ).
This present doesn’t “sit” on the wave of existential reflection brought on by the pandemic, however performs with the viewer, dynamically telling a joke story, which is the one ghost story within the work of Vizma Belševica.
As well as, the story lets you enter the backstage of the theater, entertainingly passing on to the passing viewer, for instance, in regards to the components of the play’s story or telling in regards to the actress’s unhappy destiny eager for her dream position.
Half an hour, supplemented by premiere pictures, the place the actress herself calls this work “Snapchat” meditation, is a handy time for an e-show in order to not trouble the viewer with digitized results of distorted mirrors, naive face filters and a fast-paced sequence of pictures, however to inform a narrative . A brief, digital “stand” by the actress. (And ultimately he didactically shake his finger, asking to not marry greater than as soon as, as a result of then life after demise will probably be infinitely excruciating.) ) on the identical time.
The truth that these usually are not simply brief movies within the actress’s private social community profile is confirmed by means of results to such an extent that they forestall the actress from being acknowledged in a few of the characters within the story. Each the visible picture and the voice variations appear unfamiliar, and Reinis Suhanovs, Toms Zeļģis and Oskars Pauliņš have taken care of it. On the identical time, it attracts the viewer and a bit “terrifies”, signaling the just about constructed identities of at this time, behind which the true face can not be discovered. All the pieces turns into a contemporary digital masquerade.
True, I want to see a manufacturing of such a narrative, if it have been fashioned by a bunch of highschool college students as a venture for a weekly work literature class.
With out questioning the daring of the actress Botman and the dramatic accents added by the director Sīlis, I want to see one other model on this matter, in any other case using software results appears to be simply an ironic flirtation with the period. The era of the creators of the present itself will in all probability not be stunned by this e-show, however the youthful era will in all probability even be bored. (Due to the spirit. As a result of – what’s it? As a result of – what number of followers does this lady with lengthy hair have and the place she purchased her white, lengthy gown? And so on. and so on.) Is that this digital ghost story with components worthy of the storyline of the housewife sequence e- within the frames of the present can be what younger individuals would cross on / advocate to one another on social networks? Is it sufficient for them to have their very own brief performances on the skin of social networks, the place they see their contemporaries and virtualized “influences” in the primary roles? Will the digital thumb be clicked on the hyperlink to this present? Would you disappear from the algorithm-censored digital “wall” of reports?
PS By the best way, the theatrically everlasting query – to be or to not be – sounds twofold on this e-show. Classically theatrical, but additionally existentially direct – to be or to not be an e-theater? And to be or to not be a theater? In that case, when and the way? Sarcastically, the creators of the present ask the viewer. And the solutions will carry nothing however time.
The efficiency of the Latvian Nationwide Theater “White Spouse” might be watched freed from cost on the web site “LMT Straume“.